Audiences are loving this compelling espionage series. Now in its third and final season on CBC television, the Flashbang/Temple Street/CBC co-produced series is filled with history, interesting characters and the modern approach to the stories. Critic John Doyle (The Globe & Mail) call it "Bloody good news." More good news includes a long list of nominations and awards in 2016 and 2017 for Canadian Screen Awards for X Company. Among the actors, production and writing is a nomination for Best Music Score for Amin Bhatia and Ari Posner.
Amin Bhatia and Amin Posner were thrilled to team up again with Mark Ellis and Stephanie Morgenstern after their last work together on Flashpoint. This show however is more epic and allowed for more depth in orchestral writing as well as modern electronica and ambient textures. There are also sonic clues hidden within the music score, like the ending drums in the show's opening theme actually spelling out S O S in morse code!
Also on the music team are Technicolor who helmed the post production, music editor Joe Mancuso, Andrea Higgins at Arpix Media, and Post Supervisor Richard Anobile. The sound department also garnered a 2016 CSA nomination.
The stellar cast includes Evelyne Brochu (Orphan Black), Jack Laskey (Hatfields and McCoys), Warren Brown (Luther), Lara Jean Chorostecki (Hannibal) and Hugh Dillon (Flashpoint).
The fourth nomination was the charm for composers Amin Bhatia and Ari Posner, as the team was awarded a 2013 Canadian Screen Award for Best Music Score for the Flashpoint episode "Day Game." The pair had been nominated for three previous Gemini Awards for earlier seasons but this is their first win. The gala event also included a special recognition award from the Academy of Canadian Cinema and Television for Flashpoint's groundbreaking contribution to the industry.
With multiple nominations in virtually every possible category over its five years, previous music nominations include the episode "Acceptable Risk" featuring a beautiful vocal performance by Toronto singer Leah Salomaa, and the gripping episode "One Wrong Move", and "Planets Aligned" from the series' first season.
"Flashpoint" was written and created by Mark Ellis and Stephanie Morgenstern, and produced by Anne Marie La Traverse and Bill Mustos for Pink Sky/Avamar Entertainment. The music team was assisted by music editor Joe Mancuso with song placement and Music Supervision helmed by Chris Robinson and Andrea Higgins of Arpix Media.
When the producers of the popular series "Queer As Folk" (Season 5) wanted some orchestral adventure sequences for a fantasy comic book hero, they realized nearly too late that licensing some Danny Elfman Spiderman music would take a while. So they turned to Amin Bhatia….who quickly wrote something for them.
The season opener of this critically acclaimed series contains comic book fantasy sequences of the comic book hero "Rage" scattered throughout the show. The final music was written, performed and arranged by Amin in record time to make the show's airdate.
The score was mixed and edited by Yuri Gorbachow at Aesthetic Development Corp and all music for the show was supervised by Michael Perlmutter.
The show drew strong ratings for both Showtime and Canada Showcase. In fact, in Canada, the series had such high ratings that by the end of the 5th season so many sponsors had purchased advertising time that Showcase had to air the show in an hour and ten minute time block to accommodate all the ads and not cut out any scenes. This was not a problem for Showtime, since that service is commercial free and no ads were ever broadcast during a QAF telecast.
The series ran for five seasons (2000 to 2005 on Showtime and 2001 to 2005 on Showcase). It was believed by fans that the show could have run for another year (most of the cast originally had six year contracts but according to one rumor the contracts were renegotiated to five years after the first season).
When a man is hit by a van on a country road, investigation proves him to be a living anomaly; apart from memory, he is a perfect specimen, free from disease, infection, normal bacteria or even tooth decay. Found wandering, this alien man named Ethaniel, tells psychologist Laura Keating that his home planet's destroyer is heading toward Earth to kill all of his kind and everyone on Earth in the process.
“Code Name: Eternity” was written and produced by Peter Mohan with worldwide partners from the U.S., Canada France and Germany. This one-hour action/adventure drama was created and developed in-house by Protocol Entertainment and was filmed in Canada. Despite its limited 26 episode run starting 1999, “Code Name: Eternity” remains a favorite with sci-fi fans particularly in the UK.
For a music composer it meant quite an undertaking: each weekly episode requiring a minimum of 30 minutes of music. Amin therefore enlisted the aid of co-composer Trevor Morris and music editor Tim Arthur of Magnetic North. Trevor and Tim helped make the massive amount of work in the tight deadlines possible.
Based on the critically-acclaimed 2-hour movie, "John Woo's Once a Thief" tells the story of two young refugees from a criminal empire in Hong Kong. It stars Sandrine Holt, Ivan Sergei, Nicholas Lea and Jennifer Dale as "The Director". Cutting-edge worlds, fusing romance, action and humor, all in the signature style of John Woo, the man who broke down the wall between the action movie and the art film.
Unlike a conventional series that establishes one musical style and direction, each of the 22 episodes conveyed a different musical genre. Styles included hip hop, industrial, avant garde, jazz, film noire, rave, and even bachelor pad lounge. Producers William Laurin and Glenn Davis, being very musically literate, had specific requests for each week's score.
"Slapshot" meets "Jerry McGuire" when a sports agent turns manager of a floundering hockey franchise. From the seedy mustiness of the locker room to the excitement on the ice to the stick-handling in the back boardrooms, each hour-long episode remains loyal to hockey. Michael Riley plays Brett Parker, a jaded, big-time, big mouthed New York sports agent who returns to his hometown of Hamilton, Ontario to take over the management of the local down-on-their-luck team.The series stars Michael Riley ("Amistad") as former sports agent Brett Parker, Kari Matchett and Al Waxman.
Produced by Alliance Atlantis Communications Inc this funny and touching drama was a multi-Gemini award winner.
Amin was happy to be working again with executive producers Robert Lantos, William Laurin and Glenn Davis after their earlier adventures with John Woo's "Once A Thief". The score is mixed and edited by David Greene and his staff at Magnetic Audio. Songs were under the supervision of Michael Perlmutter of S.L.Feldman and Associates.
Strange things happen to Zack Greenburg. There's no doubt about it. The question is "why?" Why should this affable 12 year-old, average in every way, be a magnet for what scientists call "paranormal experiences?"
The Zack Files is a science fiction television program that revolves around a young boy, played by Robert Clark, who is a magnet for paranormal activity and attends Horace White High School for Boys along with his three friends Cam, Gwen, and Spencer. Zack manages to get himself into trouble with his paranormal adventures and it is up to his friends to help him set things straight. The series was based on a series of books with the same name, written by Dan Greenburg. For more about the show, visit the The Zack Files website.
This unique show has an equally unique theme written by Amin Bhatia and Ari Posner. The off-kilter musical approach is in keeping with the fun folks at Decode/DHX!